I’m happy to eat any and all words I’ve shared about Cregger before… Resident Evil is a goddamn masterpiece.

An impressive piece of genre-work and an amazing debut film; Curry Barker is someone who’s going to change how horror is made.

A devastating tragedy told through the lens of love, Hamnet notes a high watermark for Chloé Zhao, and cements both Jessie Buckley and Paul Mescal as generational talents.

A decade in the making, Stranger Things: S5 needed a little more time to turn itself around from the upside down.

Wicked: For Good is, as the title would suggest, pretty good. But there’s a reason they didn’t call it Wicked: For Better [and not just because that’s a stupid name].

The only predation happening during this watch was that of my limited free time.

It’s difficult to call something so crass “excellent”… but there’s simply no other way to describe this one.

Not the evolution I was hoping for, Weapons still shows some intriguing promise from the developing Zach Cregger.

Brilliant in isolated pieces, 28 Years Later should have stayed in the lab just a few months longer.

An excellent entry into the horror space, Late Night with the Devil is one I hope gets referenced by future filmmakers for a long time to come.

Exactly as “meh” as the first in terms of storytelling with an extra dash of “frustrating” at times, Dune: Part 2 is something you likely already know you either love or hate.

An incredible examination of being who you want when you want to be it, Poor Things is an experience that some will find difficult, but all should see.

Like a soft candy with a frighteningly hard middle, Wonka is more likely to break your teeth than your heart.

You’ll love to hate it, Emerald Fennell’s Saltburn will make you wish it ended sooner… and that you had twice as much to watch.

Excellent visual presentation mixed with some smart and savvy characters make Blue Eye Samurai much stronger than its weakest moments.

Fine enough if you’re already in love with the titular monster… but not much to offer otherwise.

A great satire and an even better debut film, They Cloned Tyrone is an easy recommendation for your watchlist.

The Fall of the House of Usher is as long as it is boring, but it’s a Flanagan through and through.

Close encounters of the worst kind. No One Will Save You, but maybe I can.

A beautiful experience and deeply relevant conclusion that’s hampered only slightly by a clunky journey.